Wednesday, June 28, 2017

#235: "Hiking with Kierkegaard" by Mark Liebenow

~This essay previously appeared in Chautauqua (2014).



Hiking With Kierkegaard      
The Struggle Between the Idea and the Experience of Nature: A Debate Informed by Goethe, Wittgenstein, Kierkegaard, the Velveteen Rabbit, and a Hike to the Top of El Capitan.


            Before dawn in late September, I stand on a bank of the Merced River, below black mountains in silhouette, and watch the river’s dark blue water flow out from the forest and surge quietly past. The undulating surface reflects glints of silver from the sky’s early light. Mist hovers in the chill above the autumn meadow. When there is enough light to see, I begin a ten-hour hike by going up the steep switchbacks on the canyon’s north wall to the top of Yosemite Falls.
            An hour and a half later, catching my breath on the canyon’s edge, I glance back at Half Dome across the valley, locate my trail, and head into the forest for El Capitan, anxious to see what it looks like from above. From the valley floor, El Cap is a smooth granite monolith that rises 3000 feet straight up. Rock climbers travel from around the world to spend days pulling their way up its vertical face; for them it’s a rite of passage. I prefer to hike over the mountains and explore the forest along the way.
            In a shaded grove near Eagle Peak, I pause for a quick drink of water, but as I look around the landscape at an elevation of 7400 feet, a strange sensation invites me to sit on a boulder. What’s confusing is that on a long hike I don’t usually stop for water because I want to get back to camp before dark. I just swing my backpack around, grab a bottle and drink without ever breaking my stride. Setting my drive to get to El Cap aside, I wait to discover what is causing this feeling.  It seems like something that I’ve forgotten or lost.
            The growing heat of the sun filters through the trees and balances the crisp, cool air of early morning. Chickadees are chirping, chipmunks are scuffling through the dirt and leaves looking for stray acorns, and the breeze hums as it twirls needles in the sugar pines towering above me. I am energized by the quiet sounds and scent of pine, and the moment feels perfect, although this doesn’t say it right. I feel physically connected to the land. This says more, but the words don’t say enough. I linger for twenty minutes letting the presence of the landscape deepen.
            I come into nature because of surprises like this, whether I’m hiking in Yosemite, canoeing among the moose in the Boundary Waters above Minnesota, walking the old prairies of Wisconsin, or poking around tide pools on Oregon’s serrated coast. Yosemite Valley is seven miles long and one mile wide, and by camping for a week I experience something of the rustic life of John Muir. Nature’s architecture has created a place both intimate and open where people can explore the boundary between self and the wilderness.
            This trip I’m also here because grief has morphed into Moby Dick at home and I’m locked in a battle like Ahab, unable to kill it or let it go. Five months after my wife’s sudden death in her forties, I’m stuck in anger, depression, and apathy, and I’m hoping that nature can help me with this.

Tuesday, June 20, 2017

#234: Three Poems by Scott Dalgarno

~These poems were selected by assistant editor Clara Jane Hallar.



~This poem previously appeared in The Yale Review (2007).


JESUS TURNS UP IN VAN NUYS, BUT HIS NUMBER IS STILL UNLISTED

I was raptured, temporarily, then recalled
due to a clerical error. There was the office
generated apology, of course, with a cc to God.

Des Moines looks so different to me now. Not nearly
so plural. Apparently I wasn’t missed, but then,
I’ve always been the penguin in the red muffler.

Sure, I want you to notice me, but I still want you
to have to look. Like the rest of the half-wit
world, I beat my gong with a spent cucumber.

We’re all of us faking it, right? Only the young
don’t know that . . . . which makes them young.
Everything shifts over time. Now they’re saying

filthy is the new dirty. Don’t get me wrong,
I welcome the chance to come clean about my hiccup
with Jesus, but my people have always adored their

secrets, hording the unstutterable, holding their cards
under the table. My grandmother was a Shaker
all her life. She had teeth made from old mah

jongg tiles. Even her husband didn’t know. What
must Jesus think of the news that all these years
he’s been married; his wife, a rehabilitated Bible

whore? Hell, we don’t even know what he looked like.
Maybe dark short, with splayed feet and an eye that
wanders. Christus Domesticus. See them commuting. 

“Pick a lane,” he says, “Any lane, I don’t care”
(Mary likes to take her half out of the middle). Afraid
of being left behind, she’s forever offering

to drive, while Jesus leans into the tragic like some reckless
geek magician. Profiled in PEOPLE, they’re
like rock stars on holiday; see them walk, A-framed,

purling their way down Sepulveda, that Picasso body
of hers moving like a crab. He could fix that,
but likes her crooked, pink, & halting.

*****

Monday, June 12, 2017

#233: Three Poems by Ava C. Cipri

~Work selected by assistant poetry editor Clara Jane Hallar

 

~This poem previously appeared in Western Humanities Review (2008).

 

Queen of Swords


i.
you are the curator the loud custodian    one set of keys

one pass    single access

you stand guard at the gate

no other entrance no other may come

ii.
fast forward if you are looking for the protagonist
a woman of reticent character by this name [H.] you will not find her here

fast forward nor will you find her       Heath[er] . . .
no time

I write it down

rewind    I will not witness

iii.
the sky pinches back from its corners    fast forward

I know your window from the bus shelter & the hour
it crests the wall then the snow heaves the way I

watched the end from outside myself steeping
from that porch dismantled for three full seasons

iv.
it’s the photograph I continue to pick up the one my grandmother never
     displayed

too often    declared the futility of being a writer & want of spontaneity
photography at my command to have a camera around my neck
yesterday there was a tall blond amazon    her hair tightly pulled back in a
    leather-band

the season halts from November’s edge

v.
your door    and the season
it cuts the city the way a dancer
his partner clipped in the distance vanishes
into night into dreams too far
I return from your absence and limp into my life

knowing terror for the second time
overhearing the scream

vi.
for two Septembers I walk out into traffic

wonder the month it stopped—you finding my hair in the drain behind the
    stacks of books
under the suitcase which was our table

vii.
the walls of you the way you pulled me into those voice-filled fields until

no one could make you come as hard    fast with the trains extinguishing
    behind us


*****