Tuesday, June 20, 2017

#234: Three Poems by Scott Dalgarno

~These poems were selected by assistant editor Clara Jane Hallar.



~This poem previously appeared in The Yale Review (2007).


JESUS TURNS UP IN VAN NUYS, BUT HIS NUMBER IS STILL UNLISTED

I was raptured, temporarily, then recalled
due to a clerical error. There was the office
generated apology, of course, with a cc to God.

Des Moines looks so different to me now. Not nearly
so plural. Apparently I wasn’t missed, but then,
I’ve always been the penguin in the red muffler.

Sure, I want you to notice me, but I still want you
to have to look. Like the rest of the half-wit
world, I beat my gong with a spent cucumber.

We’re all of us faking it, right? Only the young
don’t know that . . . . which makes them young.
Everything shifts over time. Now they’re saying

filthy is the new dirty. Don’t get me wrong,
I welcome the chance to come clean about my hiccup
with Jesus, but my people have always adored their

secrets, hording the unstutterable, holding their cards
under the table. My grandmother was a Shaker
all her life. She had teeth made from old mah

jongg tiles. Even her husband didn’t know. What
must Jesus think of the news that all these years
he’s been married; his wife, a rehabilitated Bible

whore? Hell, we don’t even know what he looked like.
Maybe dark short, with splayed feet and an eye that
wanders. Christus Domesticus. See them commuting. 

“Pick a lane,” he says, “Any lane, I don’t care”
(Mary likes to take her half out of the middle). Afraid
of being left behind, she’s forever offering

to drive, while Jesus leans into the tragic like some reckless
geek magician. Profiled in PEOPLE, they’re
like rock stars on holiday; see them walk, A-framed,

purling their way down Sepulveda, that Picasso body
of hers moving like a crab. He could fix that,
but likes her crooked, pink, & halting.

*****

Monday, June 12, 2017

#233: Three Poems by Ava C. Cipri

~Work selected by assistant poetry editor Clara Jane Hallar

 

~This poem previously appeared in Western Humanities Review (2008).

 

Queen of Swords


i.
you are the curator the loud custodian    one set of keys

one pass    single access

you stand guard at the gate

no other entrance no other may come

ii.
fast forward if you are looking for the protagonist
a woman of reticent character by this name [H.] you will not find her here

fast forward nor will you find her       Heath[er] . . .
no time

I write it down

rewind    I will not witness

iii.
the sky pinches back from its corners    fast forward

I know your window from the bus shelter & the hour
it crests the wall then the snow heaves the way I

watched the end from outside myself steeping
from that porch dismantled for three full seasons

iv.
it’s the photograph I continue to pick up the one my grandmother never
     displayed

too often    declared the futility of being a writer & want of spontaneity
photography at my command to have a camera around my neck
yesterday there was a tall blond amazon    her hair tightly pulled back in a
    leather-band

the season halts from November’s edge

v.
your door    and the season
it cuts the city the way a dancer
his partner clipped in the distance vanishes
into night into dreams too far
I return from your absence and limp into my life

knowing terror for the second time
overhearing the scream

vi.
for two Septembers I walk out into traffic

wonder the month it stopped—you finding my hair in the drain behind the
    stacks of books
under the suitcase which was our table

vii.
the walls of you the way you pulled me into those voice-filled fields until

no one could make you come as hard    fast with the trains extinguishing
    behind us


*****